黑色金属乐队，他们的音乐非常吸引人
Three years after announcing their retirement, German goth metal institution Crematory changed tact and reformed, heading back into the studio and emerging a few months later with their eighth album (and tenth overall) in 2004's Revolution. A misleading title which longtime fans should not take at all literally, Revolution effectively picks up the sonic continuity thread right where 2000's Believe had left off, delivering a slew of astonishingly clean and economical tunes entirely devoid of gothic rock's oftentimes dragging, lumbering self-absorption. At the same time, unlike other gothic-minded metal bands (Swedes Tiamat and Brits Anathema coming straight to mind), Crematory's approach to songwriting hasn't completely relegated their metal roots to the past. Quite the contrary, as new off...